By the numbers: what to know
The Ukrainian science‑fiction film "You — the Cosmos" directed by Pavlo Ostrikov has grossed more than UAH 60.6 million and was seen by about 326,000 viewers over 12 weeks of release, UNN reports citing the State Film Agency. The project was produced by ForeFilms in co‑production with Belgium with state support.
Why this is more than just box office
A box‑office success in the science‑fiction genre is rare for the Ukrainian film market. That means two things: first, there is demand for locally produced, large‑scale stories; second, co‑productions and institutional support (as in this case) can turn a niche product into broad commercial success.
Factors behind the success
Analysts point to several key factors: an original genre offering, a high‑quality production team, marketing, and international co‑production that expands distribution opportunities. The film’s theme — the story of a person in extreme conditions — resonates with Ukrainian audiences and has potential for foreign markets.
Sources and voices
"The film, after 12 weeks of release, has grossed more than UAH 60.6 million and was seen by about 326,000 viewers."
— State Film Agency of Ukraine
The co‑production with Belgium and support from ForeFilms show that foreign partners are willing to invest resources in Ukrainian projects. These are not just numbers on a spreadsheet — they are proof that our film output can compete internationally.
Implications for the industry and the country
First, the success increases the chances of new investments in Ukrainian projects, especially in genres previously seen as risky. Second, it strengthens cultural diplomacy: films work as soft power — they shape perceptions of the country. Third, demonstrated demand simplifies the commercial logistics for future releases (distribution, streaming, festivals).
Looking ahead
"You — the Cosmos" became the second highest‑grossing Ukrainian film of 2025 — a sign that the market is adapting. The next step for the industry is to translate these signals into systemic co‑productions, a clear promo strategy for foreign markets, and long‑term investments in production infrastructure.
In short: this is not a fluke, but an indicator — an opportunity to turn cultural creativity into a stable economic and diplomatic asset. Now it’s up to the partners: can the industry use this momentum to scale up?
