How "You Are the Cosmos" Became a Marker of Cinematic Resilience: UAH 58.95 Million and Over 318,000 Viewers

After its eighth week in release, Pavlo Ostrikov's science‑fiction drama has grossed 58.95 million hryvnias — a figure that signals not only box‑office success but also the maturity of the Ukrainian film industry and the interest of international partners.

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Briefly

UAH 58.95 million — that is the amount the drama «You Are the Cosmos» has grossed after eight weeks in release. The film has already been seen by 318,514 viewers; by year‑end it became the second highest‑grossing Ukrainian film of 2025. The picture was produced by ForeFilms with support from Derzhkino in an international co‑production with Belgium.

"The science‑fiction drama 'You Are the Cosmos' by director Pavlo Ostrikov is successfully continuing its run in Ukrainian cinemas, maintaining steady audience attention. In its 8th week of release the film has grossed UAH 58.95 million, and the total number of viewers stands at 318,514. The picture is confidently approaching the list of the highest‑grossing Ukrainian films."

— Derzhkino

Why this matters

These figures are not just box‑office indicators. For the industry they signal that the domestic market responds to ambitious Ukrainian projects, and the international co‑production with Belgium confirms that our film production can find partners and resources abroad. For state support bodies and investors, such results are an argument in favor of continuing financing and scaling up projects.

About the plot and the audience

The film tells the story of Ukrainian space long‑haul driver Andriy, who after a catastrophe believes himself to be the last person in the Universe. His isolation is broken by a connection with a French woman, Katrin, who asks for help. The combination of personal drama and large‑scale science fiction allowed the film to attract a wide audience — from genre fans to viewers interested in a strong story and visual solutions.

Consequences and outlook

Analysis shows several likely consequences: first, other producers will pay more attention to co‑productions and genre cinema; second, the box‑office success increases the film's chances at international festivals and distribution; third, it is a strong argument in negotiations over budgets and state support. In other words, the result of 'You Are the Cosmos' is not only record ticket sales but also an investment in the future of Ukrainian cinema.

Questions for the future

Will producers be able to use this momentum for the stable development of the industry? Will audience interest turn into systemic support for genre and international projects? The answers to these questions will determine whether 'You Are the Cosmos' remains a singular phenomenon or becomes the start of a new wave of Ukrainian cinema.

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